图像文化探索：詹妮弗·伊根作品叙事研究（英文版）

本书稿是作者以博士论文为基础编写而成。美国当代著名女作家詹妮弗·伊根（1962-）凭借《恶棍来访》，斩获2011年普利策奖、2010年美国国家书评奖等42项欧美文学大奖。本书从叙事学角度，对伊根作品《隐形的马戏团》《风雨红颜》《塔楼》《恶棍来访》及《黑匣子》展开系统研究，探讨作品叙事如何从不同角度反映图像文化及作者对于图像文化的探索。从20世纪60年代模特意象、哥特式文风下现代化交流模式，到“时间恶棍”，PPT叙事，“推特”叙事等，伊根在作品创作的不同时期，逐步深入探索图像文化。本书适合从事外国文学及叙事学研究的学者参考阅读。

聂宝玉，女，副教授，硕士生导师，英美文学博士，比较文学与外国文学博士后，美国俄亥俄州立大学叙事学中心访学学者，河南省外国文学与比较文学学会理事、郑州大学英美文学研究中心研究员。

Introduction Chapter One An Embarkment on Image Culture Through Narrative in Egan''s Early Fictions 1.1 A Brief Review of Egan''s Early Fictions 1.2 Focalizations in The Invisible Circus 1.3 Alternative Narrative in Look at Me 1.4 Unreliable First Person Narrative in Look at Me Chapter Two A Side View of Image Culture Through Narrative in The Keep 2.1 A Brief Review of The Keep 2.2 Gothic Narrative in The Keep 2.3 Metafictional Narrative in The Keep 2.4 Imprisoned Characters in The Keep Chapter Three A Deep Probe into Image Culture Through Narrative in A Visit from the Goon Squad 3.1 A Brief Review of Goon Squad 3.2 Multi lineared Polyphonic Narrative, Anachrony, Parody and Black Humor in Goon Squad 3.3 Kaleidoscopic and Closely Connected Characters in Goon Squad 3.4 PowerPoint Narrative in Goon Squad Chapter Four A Direct Exploration of Image Culture Through Narrative in Black Box 4.1 A Brief Review of Black Box 4.2 Twitter as a New Media Narrative in Black Box 4.3 Second Person Narrative in Black Box Conclusion References Index Technical Terms Afterwords