PREFACE
CHAPTER ONE THE DEVELOPMENT OF THEORY
PRACTICE IN CHINESE PAINTING COMPOSITION
CHAPTER TWO PAN TIANSHOUS ARTISTIC
ACHIEVEMENTS
CHAPTER THREE THE MECHANISM OF
INK-BRUSH PAINTING
CHAPTER FOUR SPIRIT CHARACTER
CHAPTER FIVE ALLOCATION OF POSITIVE
NEGATIVE FORMS
CHAPTER SIX SIMPLIFICATION VS.
ELABORATION,SCATTER VS.CONCENTRATION
CHAPTER SEVEN THE DYNAMICS OF
COMPOSITION THE CYCLE OF ENERGY
CHAPTER EIGHT THE CENTER VS.THE EDGES
CORNERS
CHAPTER NINE
DEALING WITH ACCIDENTS
MISTAKES
CHAPTER TEN INVOKING RESOLVING A CRISIS
CHAPTER ELEVEN INSCRIPTION SIGNATURE
SEALS
CHAPTER TWELVE MOOD,STYLE TASTE
POSTSCRIPT
LIST OF ILLUSTRATIONS
INDEX
