41辑中英文标题+栏目分组
【特稿】
李金发系列论（二）：李金发的前期诗歌——浪子抒怀与青春写真
Li Jinfa Series (II): Li Jinfa’s Early Poetry--The Lyricism of the Prodigal Son and the Portrait of Youth
【中国现代文学文献学笔谈】On Chinese Modern Bibliography of Literature
主持人语
中国现代文学文献学的命名、中心及边界
The Naming,Core and Boundary of Chinese Modern Bibliography of Literature
中国现代文学目录平议——基于古典目录学的视角
A Discussion on the Catalogue of Modern Chinese Literature——Based on the Perspective of Classical Bibliography
中国现代文学文献学建设的“史源学”资源——以胡适《希望》“旧体诗”改编版本小考为例
Historical Sources for Chinese Modern Bibliography of Literature—A Case Study of the Different Versions of Hu Shi’s Hope.
口述文献与文学研究新思维New Thinking on Oral Bibliography and Literary Research
【鲁迅专题研究】
鲁迅“戏剧的看客”戏曲学释义
Interpretation of Lu Xun's "Spectators of Drama" from thePerspective of Traditional Chinese Opera
文明、身体观与“美术现代性”之思——从李欧梵对鲁迅收藏裸体版画的研究谈起
Reflection on Civilization,Body and Art Modernity——OnLeo Ou-fan Lee's Study of Lu Xun's Collection of Nude Prints
《失掉的好地狱》与鲁迅“复仇精神”的重生
The Lost Good Helland the Rebirth of Lu Xun's“Vengeance”
【大文学视野】
区域文化和地方路径与文学研究的视域及方法——以现代东北区域文化和文学为例
Perspectives and Methods of Regional Culture and Local Paths and Literary Studies
--Taking Modern Northeast Regional Culture and Literature as an Example
“赛先生”如何携手文学：论晚清到“五四”时期文学理论译介中的“复古”品格
How Mr. Science Went Hand inHand with Literature: On the“Retro”Character in Translated Literary Theories from the Late Qing Dynasty to the “May-Fourth” Period
晚清-五四语境中学科建制的确立与中国文论话语的知识转型
The Establishment of Disciplinary Institutionand the Knowledge Transformation of Chinese Literary Discourse in the Context of the Late Qing Dynasty to May 4th Movement
1930年代新文学书评的繁盛及其文化筛选意义
The Prosperity of New LiteraryBook Reviews in the 1930s and Their Cultural Screening Significance
“合法的秘密工作者”——左联解散后多数盟员的去向问题（1936-1938）
"Legitimate Secret Workers"——The Whereabouts of the Majority of the League Members after the Dissolution of the Leftist League (1936-1938)
现代汉语诗歌用典的原型书写与诗性潜能——基于“凤凰”和“女神”的文学母题
The Prototype Writing and Poetic Potential of Modern Chinese Poetry Allusions
——Based on the Literary Motifsof "Phoenix" and "Goddess"
革命文学论争时期马克思主义文艺理论的中国化——以创造社同人与瞿秋白对现实主义理论的建构为讨论中心
The Sinicization of Marxist Literary and ArtTheory during the Debate of Modern Chinese Revolutionary Literature——Focusing on the Construction of Realist Theory by Creation Society Fellows and Qu Qiubai
早期电影业对近代内地民众文化生活之影响——以成都为中心的讨论
The Influence of Early Film Industry on the Cultural Life of Modern Chinese Mainland Residents
——A Discussion Centered on Chengdu
【文学档案】
作为现代散文家的巴金的起点——《海行杂记》的创作与版本考察
TheStartingPointof Ba Jin as a Modern Essayist——On the Creation and Edition of Notes on Sea Travel
大陆时期覃子豪集外佚诗考述
A Study on QinZihao’sLost Poems during the Mainland Period
民国报刊中汉译文学史料的整理问题
On Collating the Historical Materials of Chinese Translation Literature in the Press of the Republic of China
【民国文学研究】
五四时期的女性身份认同：理念与实践
Female Identity during the May 4th Movement: Concepts and Practices
关于抗战“活报剧”艺术价值及历史阐释的几个问题
On theSeveral Questions of Artistic Value and Historical Interpretation of "LivingNewspaperDrama" of Anti-Japanese War
传统与现代的交融互动——论《自画像》时代汪铭竹的新古典主义诗歌
Blending and Interaction of Tradition and Modernity——On Wang Mingzhu'sNeoclassical Poetry in theEra of “Self-Portrait”
民国四川戏剧生态的都市化与现代化——以成都名报《新新新闻》为切入点
TheUrbanization and Modernization of Sichuan Drama Ecology in the Republic of China—— TakingtheFamous Chengdu Newspaper“XinxinNews”as the Starting Point
周氏兄弟与早期新诗的写作伦理——以《蕙的风》论争为视角
The Zhou Brothers and the Writing Ethics of the Early New Poetry -- From the Perspective of the Debate on “Hui De Feng”
襟抱凄寒不可温——钱钟书“冷屋叙事”的冷与热
The Heart is Too Icy to Get Warm-The "Cold RoomNarrative” in Qian Zhongshu's Writings
“自然”作为方法——重审徐志摩的浪漫主义思想
Nature as a Method：The Review of Xu Zhimo's Romantic Thought
《丽萍的烦恼》的性别书写
TheGender Descriptions of “Liping's Troubles”
论1930年代穆时英的民族主义转向
On Mu Shiying's Nationalist Turn in the 1930s
新见萧乾“滇缅视察记”释读
Interpretation of the Newly Discovered FourReports about Yunnan and Myanmar Written by Xiao Qian
【共和国文学研究】
初期《星星》诗刊的组织管理
The Organization and Management of thePoetry Journal “The Star”in the Early Stages
助业写作的困境：《十里店》的难产与“赵树理悲剧”溯源
The Dilemmas of Supporting Extracurricular Writing: The Difficult Birth of“Shili-Dian” and the Source of “Zhao Shuli's Tragedy”
【港澳台文学研究】
再造传统：夏济安1950年代诗论与文化政治
Rebuilding Tradition：Xia Ji’an's Poetics and Cultural Politicsin the1950s
思想动员与心灵反叛——1970年代“日据文学”再出场的现实意义与情感政治
Ideological mobilization and Spiritual Rebellion
——TheRealistic Significance and Emotional Politics of the Reappearance of “Japanese-occupied Literature” in the 1970s
“人道主义”的辩证与左翼理想的坚守——重读郭松棻的《月印》
The Dialectics of "Humanitarianism" and the Adherence to the Left-WingIdeals
——Rereading Guo Songfen's“Moon Seal”
【著述•综述】
流动的南洋风景：评张松建《华语文学十五家》
The Flowing Landscape of Nanyang：A Review on Zhang Songjian's“Fifteen Sinophone Writers”
作为方法的族裔身份——评《沈从文与老舍比较研究：以民族文学为视角》
Ethnic Identity as a Method: A Comparative Study of Shen Congwenand Lao She: From the Perspective of National Literature
民国教育体制与中国现代文学关系的“显”与“隐”——评李宗刚著《民国教育体制与中国现代文学》
The“Explicit” and “Implicit” in theRelationship between the Educational System of the Republic of China and Modern Chinese Literature——On Li Zonggang's“Educational System of the Republic of China and Modern Chinese Literature”
区域文学、地方路径与文学地理学——全国第六届“区域文化与文学”学术研讨会的三大议题
Regional Literature, Local Paths and Literary Geography: Three Major Topics of the 6th National Symposium on “Regional Culture and Literature”
