前言
Chapter I Introduction
1.1 A Critical Review of the Snopes Trilogy
1.2 A Theoretical Overview of Deconstruction
1.3 The Popic and Task of the Dissertation
Chapter II The Hamlet：Signification in Motion
2.1 Signification in Motion: Saussure
Deconstructed
2.2 Intrasemiotic Motion: Diff~rance in The
Hamlet
2.3 Intersemiotic Motion: Supplement in The
Hamlet
2.4 Transsemiotic Motion: Rhetoricity in The
Hamlet
Chapter III The Town : Text in Dissemination
3.1 Dissemination and Text
3.2 Intertextual Dissemination: The Town and its
Yoknapatawpha sisters
3.3 Intratextual Dissemination in The Town
3.4 Extratextual Dissemination: The Town and Its
Allusions
Chapter IV The Mansion : Existence After Subversion
4.1 Existence in a Subverted World
4.2 Mink's Subversion of " the Old Moster" and
"them-they-it"
4.3 Linda's Subversion of Her Generalissimos
4.4 Flem's Subversion of His Own Existence
Chapter V Conclusion
Bibliography
Acknowledgements
Appendix I The Family Genealogy of the Snopeses
Appendix II Faulkner Research in China: Retrospects and
Prospects
Appendix III The Sound and the Fury: Three Selves and Four
Orders
Appendix IV Structural Aesthetics of the Stream-of-Consciousness
Fiction: A Case Study on "The Mark on the Wall"
Appendix V A Corpus-Based Research on Faulkner's
Works
