客家山歌：认同·发展·嬗变(Hakka Mountain Songs: Identity Development and Change

客家山歌是客家人在山 野间用客家话即兴演唱的口 头文学，是中国重要的民间 音乐文化，于2006年入选 第一批国家非物质文化遗产 名录。尽管在当地客家山歌 独有的艺术特色被大家所广 泛接收，但随着文化全球化 时代的到来，客家人现代生 活方式的改变、媒介技术的 革新以及不同文化之间的碰 撞与交流，从现今发展情况 来看客家山歌已处于下滑之 势，其传承与发展工作迫在 眉睫。本书通过对客家山歌 的认同、发展和变化进行研 究，其目的在于：1）探讨 客家山歌形成的认同的重要 因素；2）探讨社会变迁与 客家山歌的关系；3）探讨 现代社会客家山歌的保护方 式和发展策略。

CHAPTER 1 Introduction 1.1 Background and rationale 1.1.1 Foreign research status 1.1.2 Research status in China 1.2 Objectives of the study 1.3 Research questions 1.4 Definition of terms 1.4.1 Hakka mountain songs 1.4.2 Identity 1.4.3 Development 1.4.4 Change 1.5 Scope of the study 1.6 Significance of the study 1.7 Conceptual framework 1.8 Outline of the study CHAPTER 2 Research Methodology 2.1 Research design 2.1.1 Literature review method 2.1.2 Fieldwork 2.1.3 Observation method 2.2 Data collection 2.3 Data analysis 2.3.1 Literature analysis 2.3.2 Comparative analysis 2.3.3 Music analysis CHAPTER 3 Hakka Music Culture 3.1 The historical origin of Hakka music culture 3.1.1 Hakka music culture in ancient times 3.1.2 Hakka music culture from 1930 to 1978 3.1.3 Hakka music culture after Chinese reform and opening-up (after 1978) 3.2 The classification of Hakka music culture 3.2.1 Hakka traditional songs 3.2.2 Hakka instrumental music 3.2.3 Hakka song and dance 3.2.4 Hakka opera 3.2.5 Hakka rap art 3.3 The characteristic of Hakka music culture 3.3.1 The integration of Hakka music culture 3.3.2 The rationality of Hakka music culture 3.3.3 Openness and inclusiveness of Hakka music culture 3.4 Ecological environment of Hakka music culture 3.4.1 Natural ecology 3.4.2 Social ecology CHAPTER 4 The Identity of I-Iakka Mountain Songs 4.1 The historical origin of Hakka mountain songs 4.1.1 Formation of Hakka mountain songs 4.1.2 Historical changes of Hakka mountain songs 4.2 The classification of Hakka mountain songs 4.2.1 Love songs 4.2.2 Production and life mountain songs