20世纪早期日本巡演剧团在西方的接受研究(英文版)

本书分析了“日本主义” 如何通过影响西方公众的 认知模式来建构西方公众 对于日本巡演剧团的个人 与艺术形象的文化想象。 在此历史语境分析的基础 上，本书转入了对西方公 众之于日本巡演剧团的舞 台作品的接受的探讨，分 析了西方公众如何认知与 评价日本巡演剧团的舞台 作品在演员个人演技和整 体演出风格两个层面上所 具有的种种特征。本书进 一步考察了日本巡演剧团 和各种与其海外巡演活动 有关联的西方人之间的权 力博弈关系，分析了这种 权力关系如何影响日本巡 演剧团采取种种演出与官 传策略来回应西方人的接 受美学习惯的问题。最后 ，本书探讨了日本巡演剧 团在西方的接受过程中遭 遇到的跨文化戏剧交流中 的“误读”问题，考察一些 西方先锋戏剧人在日本巡 演剧团的舞台演出风格特 征和艺术身份合法性等问 题上的接受立场与态度中 的“误读性”特征以及这种“ 误读性”的积极效应。本 书适合日本艺术与文化、 日本戏剧、西方戏剧爱好 者与研究者，以及东西方 戏剧比较研究者跨文化交 流研究者阅读。

Chapter 1 Introduction 1.1 Historical and cultural context of the study 1.2 A historical overview of the three Japanese touring troupes' overseas tours 1.2.1 The Kawakami troupe's overseas tours 1.2.2 The Hankao troupe's overseas tours 1.2.3 The Tsutsui troupe's overseas tours 1 3 Literature review 1.4 Objectives and significance of the study 1.5 Methodology 1.5.1 The investigation of the Self in the pursuit of the cultural Other 1.5.2 Audience reception theory 1.5.3 The power struggle between different participants in cross-cultural theatrical communications Chapter 2 Japonisme: A Cultural Marker Underlying the Western Reception of the Japanese Touring Troupes 2.1 Origin and development of Japonisme in the West 2.2 Features of Japonisme and their manifestation in the international exhibitions 2.3 The \"fine arts\" perspective cultivated by Japonisme Chapter 3 Western Audiences' Reception of the Acting and Performance Feature of the Japanese Touring Troupes 3.1 The strong physicality in the acting of the Japanese troupes' performers 3.2 Hybridity in the acting and performance style of the Japanese touring troupes' productions 3.3 Killings and suicides in fight and death scenes of the Japanese troupes' performances Chapter 4 Power Relations between the Japanese Touring Troupes and Westerners 4.1 The unequal power relationship between the Japanese touring troupes and Western audiences 4.2 Publicity and public relations strategies of the Japanese touring troupes 4.3 Negotiations and cooperation in the power relationship between the Japanese touring troupes and Western theatre entrepreneurs Chapter 5 Western Avant-garde Theatre Practitioners' \"(Mis)Interpretations\" of the Japanese Touring Troupes 5.1 The self-affirming and selective features of the Western avant-garde theatre practitioners' reception of the Japanese troupes 5.2 \"Re-theatricalization\" and \"re-totalization\" ~ Chapter 6 Conclusion Primary Sources Collection Bibliography